Issue 26.3 (September 2024)
Special Issue: Cineture: Cultural Negotiation between Iran and the US through Intermediality and Transmediality
Ed. Naghmeh Esmaeilpour and Behnam Fomeshi
Thematic Cluster
Cineture: Shared Narratives and Cultural Exchanges between Iran and the US (Introduction)
Naghmeh Esmaeilpour
Cineture: Cultural Negotiation between Iran and the US through Intermediality and Transmediality
Cineture: The Trans(inter)mediality and Socio-cultural Mobility between Iran and the US
Naghmeh Esmaeilpour
Cineture: Cultural Negotiation between Iran and the US through Intermediality and Transmediality
Willy Loman’s Desperate Affair Challenges the Iranian Censorship: Asghar Farhadi’s The Salesman
Adineh Khojastehpour
Cineture: Cultural Negotiation between Iran and the US through Intermediality and Transmediality
Memory and Identity: A Comparative Analysis of “Iranian Cultural Identity” in Asghar Farhadi’s Adaptation of Arthur Miller’s Death of a Salesman
Raed Faridzadeh
Cineture: Cultural Negotiation between Iran and the US through Intermediality and Transmediality
Vision and “Sur-vision”: Intermediality and Alterity in the Frames of Abbas Kiarostami
Marjan Mohammadi
Cineture: Cultural Negotiation between Iran and the US through Intermediality and Transmediality
Christian Motifs in Forough Farrokhzad’s Works: A Comparison with T.S. Eliot’s Poetry
Mona Monsefi
Cineture: Cultural Negotiation between Iran and the US through Intermediality and Transmediality
Between Revolutions: The Leftist Reception of American Literature in Iran (1905-1979)
Behnam Mirzababazadeh Fomeshi
Cineture: Cultural Negotiation between Iran and the US through Intermediality and Transmediality
Cultural Negotiations in Revisionist Mythmaking: Comparative Reading of Bahram Beyzaei and Mary Zimmerman
Sepehr Karimi Mr. and Bahee Hadaegh
Cineture: Cultural Negotiation between Iran and the US through Intermediality and Transmediality
Review Article(s)
Review: The Poetics of Science: Marx’s Literary Style by Ludovico Silva
Thomas A. Laughlin