Series editor: Iñigo Sanchez-Llama, Purdue University
Purdue Studies in Romance Literatures (PSRL) publishes books on topics of literary importance that make a significant contribution to Romance scholarship. Studies are written in English, Spanish, or French and deal with topics in French, Italian, Luso-Brazilian, Spanish, and Spanish American literatures. Books in the series cover a wide range of topics, including the comedia, seventeenth-century French literature, Italian and Latin American works, women's issues, and textual interpretation.
PSRL books are evaluated, edited, and prepared by the School of Languages and Literatures, College of Liberal Arts at Purdue University and published and distributed by Purdue University Press. Open access dissemination of PSRL books is supported by Purdue University Libraries and School of Information Studies.
Hard copies of these volumes may be purchased here.
Everyday Consumption in Twenty-First-Century Brazilian Fiction is the first in-depth study to map out the representation of consumption in contemporary Brazilian prose, highlighting how our interactions with commodities connect seemingly disconnected areas of everyday life, such as eating habits, the growth of prosperity theology, and ideas of success and failure. It is also the first text to provide a pluralistic perspective on the representation of consumption in this fiction that moves beyond the concern with aesthetic judgment of culture based on binaries such as good/bad or elevated/degraded that have largely informed criticism on this body of literary work. Current Brazilian fiction provides a variety of perspectives from which to think about our daily interactions with commodities and about how consumption affects us all in subtle ways. Collectively, the narratives analyzed in the book present a wide spectrum of more or less hopeful portrayals of existence in consumer culture, from totalizing dystopia to transformative hope.
Joshua Alma Enslen
Song of Exile: A Cultural History of Brazil’s Most Popular Poem, 1846–2018 is the first comprehensive study of the influence of Antônio Gonçalves Dias’s “Canção do exílio.” Written in Coimbra, Portugal, in 1843 by a homesick student longing for Brazil, “Song of Exile” has inspired thousands of parodies and pastiches, and new variations continue to appear to this day. Every generation of Brazilian writers has adapted the poem’s Romantic verses to glorify the wonders of the nation or to criticize it via parody, exposing a litany of issues that have plagued the country’s progress over the years. Based on a core of five hundred texts painstakingly gathered over a five-year span, this book catalogs the networks of the poem’s reinvention as pastiche and parody in Brazilian print culture from nineteenth-century periodicals to new media. Mapping the reoccurrences of the original’s keywords and phrases over time, the book uncovers how the poem has been used by successive generations to write and rewrite the nation’s history. This process of reinvention has guaranteed the permanency of “Song of Exile” in Brazilian culture, making it not only the nation’s most popular poem, but one of the most imitated in the world.
David R. Castillo
The term anamorphosis, from the greek ana (again) and morphe (shape), designates a variety of perspective experiments that can be traced back to the artistic developments of the 1500's and 1600's. Anamorphic devices challenge viewers to experience different forms of perceptual oscillation and uncertainty. Images shift in front of the eyes of puzzled spectators as they move from the center of the representation to the margins, or from one side to the other. (A) Wry Views demonstrates that much of the literature of the Spanish Golden Age is susceptible, and indeed requires, oblique readings (as in anamorphosis).
Constructing the Criollo Archive: Subjects of Knowledge in the Bibliotheca Mexicana and the Rusticatio Mexicana
This book constitutes an attempt to theorize the process of the emergence, in eighteenth-century New Spain, of a position of intellectual subjectivity differentiated from that established by the regime of Spanish imperial authority. The principal concern has been to trace how certain groups of Criollo intellectuals try to construct such discourses, paradoxically, out of the framework of available European systems of knowledge and representation. In this fashion, it was sought to discern the outline of an ideological program for Criollo political and cultural hegemony in the eighteenth-century.