Abstract

This essay traces an association between blindness and intimacy in J.M. Synge’s The Well of the Saints, Florence Barclay’s The Rosary, and D.H. Lawrence’s “The Blind Man,” suggesting that the association participates in an early twentieth-century devaluation of vision and stems from beliefs about knowledge and communication.

Comments

This is the author-accepted manuscript of Linett, M. (2013). Blindness and Intimacy in Early Twentieth-Century Literature. Mosaic: a journal for the interdisciplinary study of literature 46(3), 27-42. Copyright University of Manitoba, it is shared here with permission, and the version of record is available at DOI 10.1353/mos.2013.0030.

Date of this Version

2013

Share

COinS