In his paper, "Interculturalism and New Russians in Berlin" Giacomo Bottá discusses aspects of the community of Russian artists in contemporary (post-1989) Berlin. The Berlin-based Russendisko night has been held in Tel Aviv, Milan, or Frankfurt, where enthusiastic people danced to songs of obscure Russian bands. In 2004, a new CD compilation, Russensoul, was published and in 2005 Karaoke, the ninth novel by Russion-born and Berlin-based author Wladimir Kaminer appeared in book stores. Russian culture is experiencing global success curiously tied to Berlin. How could the German capital have channelled this interest? Is there a particular historical, social, geographical, or cultural factor which has been decisive in this phenomenon? Why are these artists in Berlin? How important has Berlin been in the production of Russian artists? These are the basic questions Bottá explores in his study in an exploration of Berlin as an intercultural city and the locus of an Russian artistic community as intercultural practice. Bottá includeds in his analysis Wladimir Kaminer, Natalia Hantke, both writers, and Wladimir Skokov, a painter. Their biographies and some of their works, relating to urban subjects, are analysed and embedded in the urban context.
"Interculturalism and New Russians in Berlin."
CLCWeb: Comparative Literature and Culture
This text has been double-blind peer reviewed by 2+1 experts in the field.
The above text, published by Purdue University Press ©Purdue University, has been downloaded 1621 times as of 03/13/18. Note: the download counts of the journal's material are since Issue 9.1 (March 2007), since the journal's format in pdf (instead of in html 1999-2007).