Abstract
The focus of discussion in this paper lies in a perception that orature of African written literature is not innocent but a form of control. Operated through its performance framework, the concept of orature provides an angle to observe how African oral tradition penetrates written literature and cultivates an awareness of the political nature both of the material to be written and of the writing process itself. This paper explores the performance framework in two African novels — Achebe’s Anthills of the Savannah and Adichie’s Half of a Yellow Sun. Through such key concepts as event, narrative and self-reflexivity in performance theory, readers can perceive how the spatiotemporal dimension and audience-performer relationship are manipulated and how the four realms of African orature are reflected in these two novels and thereby help decipher their specific political connotations. Achebe and Adichie’s writing practices have indeed created a new purpose for orature in Nigerian literature.
Recommended Citation
Duan, Jing.
"Orature: The Political Interpretation of Performance Framework in Anthills of the Savannah and Half of a Yellow Sun."
CLCWeb: Comparative Literature and Culture
24.5
(2022):
<https://doi.org/10.7771/1481-4374.3988>
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