Abstract
Current criticism of works of eco fiction maintains that one of the central contributions of this literary genre is a consciousness-raising effect that these works have on their readers by virtue of alluding, with varying degrees of specificity, to real-world environmental problems, implying that this is a central step towards remedying our current planetary climate crisis. This article suggests, conversely, that literary criticism of eco fiction necessitates a more rigorous material analysis—specifically one attentive to class and class antagonism—of these works and their conditions of production to understand their relation to power, as well as their affordances and limitations as tools for climate justice and remediation. Taking the example of the critically acclaimed book La compañía (2019), by Mexico’s Verónica Gerber Bicecci, this article deploys a material analysis to evaluate the political implications of its strategy of appropriation of previously existing materials, the periodization it chooses and its haunting significance in Mexican history, and the expression of the inhuman nature it bestows on its working-class characters. The article ends with a series of observations towards a further theorization of the inhuman as an epochal figure evoked in this and other works of eco fiction.
Recommended Citation
Romero Rivera, Marcela.
"Signs of the Inhuman: Hauntings and Lost Futures in Verónica Gerber Bicecci’s La Compañía."
CLCWeb: Comparative Literature and Culture
24.1
(2022):
<https://doi.org/10.7771/1481-4374.4296>
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