Jihoon Kim discusses in his "Postinternet Art of the Moving Image and the Disjunctures of the Global and the Local: Kim Hee-cheon and Other Young East Asian Artists” ways in which moving image works by East Asian artists Chen Chen-yu, Lu Yang, and Kim Hee-cheon engage the postinternet condition, a situation in which the internet and digital technologies are no longer perceived as new but as fundamentally restructuring our subjectivity and world. By opening a platform for intersecting the postinternet condition with a discourse on globalization, which has yet to be fully discussed in the existing Western-centric discourses on postinternet art, a key specificity of the postinternet art of the moving image by contemporary East Asian artists lies in its attempts to create spreadable images of multiple political, aesthetic, and cultural layers. The artists’ rigorous aesthetic juxtapositions of virtual and physical spaces should be seen not simply as indicating the artists’ cosmopolitan postinternet sensibilities but also as expressing their engagement with the contradictory and unstable disjunctures of the global and local in contemporary East Asia.
"Postinternet Art of the Moving Image and the Disjunctures of the Global and the Local: Kim Hee-cheon and Other Young East Asian Artists."
CLCWeb: Comparative Literature and Culture
This text has been double-blind peer reviewed by 2+1 experts in the field.
The above text, published by Purdue University Press ©Purdue University, has been downloaded 8 times as of 02/12/20.