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Abstract

The predominance of the horror genre, broadly conceived, in recent years attests to the profound sense of anxiety and dread permeating late capitalist societies. As the processes and effects of globalization become more viscerally experienced, they are also often rendered invisible or unknowable, and individuals and groups find themselves subject to an immense array of forces beyond their control. The contemporary scene is crowded with monsters, from alien invaders to the zombie apocalypse, set against the backdrop of darkly fantastic landscapes and dystopian visions. Drawing upon a variety of Marxist cultural theory, Robert T. Tally Jr. explores the topographies of fear generated by this monstrous accumulation, and argues for a fantastic Marxist critique capable of addressing the existential dread and structural conditions for its possibility. Tally maintains that even the “real world” may be fruitfully analyzed and evaluated in terms of the fantastic, outlining a radical alterity that subtends the image of the real. He provides an innovative reading of the present cultural climate and offers an alternative vision for critical theory and practice in a moment in which, as has been famously observed, it is easier to imagine the end of the world than the end of capitalism.

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