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Abstract

In his article "Post 9/11 and Narratives of Life Writing, Conflict, and Environmental Crisis" Simon C. Estok argues that there are four seemingly disparate and disconnected topics — war, migration, ecophobia, and life writing — which need to be discussed in tandem in order to produce deeper understandings of both the production and effects of post 9/11 narratives. Estok argues that narrative landscapes changed radically since the beginning of the twenty-first century and that this results in a combined effect both of terror reportage and of environmental crisis narratives. The pace and character of reportage blurred, erased, and expanded various boundaries and these changes will be increasingly central to discussions about life writing and its relation to environmental crisis writing.

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