Embodied Cognition and the Grotesque in Calvino's La giornata d'uno scrutatore and Sanguineti's Capriccio italiano
In his article "Embodied Cognition and the Grotesque in Calvino's La giornata d'uno scrutatore and Sanguineti's Capriccio italiano" Marco Caracciolo analyzes the multiple dimensions of embodied experience and how they can be brought to bear on literary texts. Drawing on scholarship in cognitive science, he argues that the embodiment of people's engagement with the world emerges from the interaction between the physical structure of the body and socio-cultural practices. Caracciolo shows how such nexus of biological make-up and culture can give rise to particularly complex meanings in the representation of grotesque bodies. In order to illustrate his postulates, Caracciolo analyzes Italo Calvino's La giornata d'uno scrutatore (The Watcher) and Edoardo Sanguineti's Capriccio italiano, wherein distorted bodies play an important role.
"Embodied Cognition and the Grotesque in Calvino's La giornata d'uno scrutatore and Sanguineti's Capriccio italiano."
CLCWeb: Comparative Literature and Culture
This text has been double-blind peer reviewed by 2+1 experts in the field.
The above text, published by Purdue University Press ©Purdue University, has been downloaded 676 times as of 03/16/23.
Comparative Literature Commons, European Languages and Societies Commons, Italian Literature Commons, Other Arts and Humanities Commons