Abstract
In her article "Comparativist Imagology and the Phenomenon of Strangeness" Małgorzata Świderska presents an imagological-hermeneutic conception of the interpretation of national, ethnic, and/or (inter)cultural strangeness in literary works. Świderska develops her concept of comparativist imagology from the work of Paul Ricoeur's concept of multiple étrangeté and from the work of Jean-Marc Moura. Świderska applies her conceptualization of comparativist imagology to Heimito von Doderer's "Divertimento No I" and Das letzte Abenteuer. Ein Ritter-Roman.
Recommended Citation
Świderska, Małgorzata.
"Comparativist Imagology and the Phenomenon of Strangeness."
CLCWeb: Comparative Literature and Culture
15.7
(2013):
<https://doi.org/10.7771/1481-4374.2387>
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