Abstract
The members of the Czech avant-garde group Devětsil accorded great importance to photographic illustrations in the magazines they published throughout the 1920’s. Securing photographs from foreign contributors played a key role in the group’s strategy to develop and maintain an international network. This paper examines these photographic reproductions as traces of a transfer of formal and iconographic innovations in photography from abroad to Czechoslovakia.
Recommended Citation
Parkmann, Fedora. "Logique circulatoire de la photographie imprimée. Le cas des revues d’avant-garde tchèques.." Artl@s Bulletin 4, no. 2 (2015): Article 3.
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