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Abstract

What do we actually know about how images become global? This article takes stock of current approaches to studying their worldwide circulation. Drawing on findings from the Visual Contagions project—which maps 15 million illustrations across 18,000 periodicals in more than 50 countries—we now see that in the age of print, only a small fraction of images traveled widely, with art reproductions proving to be the most mobile. The central question, then, is whether this broader circulation of art images is linked to their formal power. When examined from multiple perspectives, the answer cannot be a simple yes. Visual circulation also depends on techniques, infrastructures, institutions, agents, social and economic conditions, geopolitics, and desire.

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