Abstract
The article departs critically from the postsocialist condition in Yugoslavia marked by conservative revisionism that transformed the memorial landscape. The nation-building process took a clearly negative attitude towards the Yugoslav, socialist and partisan/antifascist past. The first part of the text will shortly present the notion of »counter-archive« and the central features of the method. The second part of the text will offer a short analysis of four case studies: A short partisan poem written by Iztok, a drawing by Dore Klemenčič, a partisan dance by Marta Paulin and a partisan film by Rudi Omota.
Recommended Citation
Kirn, Gal. "Counter-Archival Surplus: Remembering the Partisan Rupture in Post-Socialist Times." Artl@s Bulletin 11, no. 1 (2022): Article 1.
Included in
Art Practice Commons, Epistemology Commons, Ethics and Political Philosophy Commons, South and Southeast Asian Languages and Societies Commons