In her article "Symbolism, Popular Drama, and Politics and Arts in Belgium, 1886-1910," Joan Gross examines what effects the reign of terror in the Congo and the silence that masked it might have had on popular performance traditions and literary practices in Belgium. Gross examines a popular puppet play by Léopold Leloup and an essay by Maurice Maeterlinck, both of which are called The Massacre of the Innocents. The third text she explores is a parliamentary speech given by Émile Vandervelde in 1903 in which he protested brutal practices in the Congo. Gross explores the interconnections between these three disparate texts and situates them within fin-de-siècle Belgium where racism and socialism were reigning ideologies and symbolism became the favored literary style. Following Taussig, Gross suggests that symbolism and the use of the traditional narrative of The Massacre of the Innocents were literary responses to cultures of terror.
"Symbolism, Popular Drama, and Politics and Art in Belgium, 1886-1910."
CLCWeb: Comparative Literature and Culture
This text has been double-blind peer reviewed by 2+1 experts in the field.
The above text, published by Purdue University Press ©Purdue University, has been downloaded 1151 times as of 03/10/14. Note: the download counts of the journal's material are since Issue 9.1 (March 2007), since the journal's format in pdf (instead of in html 1999-2007).
CLCWeb: Comparative Literature and Culture is published by Purdue University Press ©Purdue University in open access. Please support the journal: Click here for more information and to make your donation online.