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Abstract

In her article, "Memory and the Quest for Family History in One Hundred Years of Solitude and Song of Solomon," Susana Vega-González explores similarities between the novels of García Márquez and Morrison with a special focus on the use of memory and imagination. Based on theoretical models, Vega-Gonzálezas proposes that fictional representations are a means of rewriting history, a particular aspect of literay discourse. The texts under scrutiny constitute true quest stories of characters who search for their family history along their own identity amidst the dangers of capitalism and its excessive desire for progress and class ascendance. The break with narrative linearity through such recollections of things past, the reliance on the supernatural and the advocacy of hybridity are some of the features that link Morrison ad García Márquez with magic realism, a literary mode that contributes to their rewriting of a history peopled with the ghosts of slavery, colonialism, and imperialism.

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