In his article, "Comparative Spaces and Seeing Seduction and Horror in Bataille," Benton Jay Komins explores Bataille's preoccupation with "seeing": The eye holds a preeminently ambiguous position in Georges Bataille's universe of enucleated priests and scatological window scenes. Komins' comparative examination presents several aspects of Bataille's eyes: Existing between fascination and revulsion, this most Bataillean organ moves between subjective vision and objective blindness. The eye both captures and is captured in episodes of seductive horror. Through the denigration of vision, Bataille's dethroned eye exceeds the confines of visuality. Bataille develops an extraordinary notion of ocularity -- as a metaphor, action, and traumatic fixation - in his novels, autobiographical notes, and critical writing. His compelling eyes surface between written genres and lived experience, that is to say, in the comparative space between the phantasmatic and the social, inviting psychological and historical analysis.
Komins, Benton Jay.
"Comparative Spaces and Seeing Seduction and Horror in Bataille."
CLCWeb: Comparative Literature and Culture
This text has been double-blind peer reviewed by 2+1 experts in the field.
The above text, published by Purdue University Press ©Purdue University, has been downloaded 1368 times as of 10/17/17. Note: the download counts of the journal's material are since Issue 9.1 (March 2007), since the journal's format in pdf (instead of in html 1999-2007).