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Abstract

In her article "Towards a Framework of a Semiotics of Dance" Nicoleta Popa Blanariu constructs a framework of based on de Saussure's, Peirce's, and Barthes's thought. She applies Ferdinand de Saussure's concept of semiosis defined as a cultural system of conventions. In dance this occurs when choreographic signs are encoded, for example in magic, ritual, or religious expressions of movement. Further, Charles Sanders Peirce's concept of the role of "intelligent consciousness" is crucial for the engendering of signification and thus to dance. In dance, the choreographer "interprets" the world and by means of selection and interpretation, the choreographic sign reveals its object and this process is related to abstraction. In semiosis dance involves a process of "culturalization" (Barthes), whereby codes of dance represent the spontaneity of "natural" of movements and feelings within a repeatable system of expression. Last but not least, Edmund Husserl's notion that dance belongs to the domain of "pre-reflexivity" of signal and entails symbolic qualities derived from its embedding of cultural codes is employed by Popa Blanariu in her building a framework of the semiotics of dance.