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Abstract

In his article "About Metapoetry and Performativity" Arturo Casas argues that with regard to metapoetic practices a change of perspective would be necessary. Casas postulates that the new perspective would centre more on the enunciative and performative aspects of metapoetry and that it would focus on the theoretical and poetological contribution of the metapoem, its criticism of language and text, and its convergence with those theoretical-critical practices based on the refutation of the traditional critical pact. Following Jenaro Talens's work, Casas argues that in poetry disorder orients itself in practice to unmask power and its inscriptions in language and that it is among inscriptions we find the poet's own authority.

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