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Abstract

In his article "Tropologies of Tradition and (Post)modernity in Nwagwu's Forever Chimes" James Tar Tsaaior explores Mark Nwagu's novel and postulates that the author succeeds in constructing a novelistic universe both concrete and fluid in its re-invention or re-fabrication of cultural traditions and identity formation processes. This universe is simultaneously traditional/indigenous and (post)modern. However, rather than to delineate these cultural formations through difference as oppositional categories, Nwagu suggests grounds for multicultural interactions and transactions. In this cultural schema, none of the cultures claims exclusive preserve or pre-eminence over the other as what exists is a democratic space for the cultures to assert their energies as they thrive and co-exist in healthy communion.

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