In his article "Ambiguity Now" Martin Harrison focuses on the pivotal place which modernist critical theory ascribed to ambiguity in the definition of meaning and structure in poetry. In particular, Harrison considers the way in which the category of experience is deployed in the discourse of ambiguity but is limited to only certain narratives of so-called experience. Harrison argues for a contemporary practice less focused on ambiguity and more on notation and provisional structure, demonstrating key elements of such practice in the work of modern poets Leslie Scalapino and Frank Bidart and the poet-artist Alex Selenitsch.
CLCWeb: Comparative Literature and Culture
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