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Abstract

In her article "From Diaspora to Nomadic Identity in the Work of Lispector and Felinto" Paula Jordão analyzes Clarice Lispector's A Hora da Estrela (1977; The Hour of the Star, Trans. Giovanni Pontiero, 1992) and Marilene Felinto's As Mulheres de Tijucopapo (1982; The Women of Tijucopapo, trans. Irene Matthews, 1994). Despite being stylistically different, Lispector's A Hora da Estrela and Felinto's As Mulheres de Tijucopapo depict protagonists who share the same social and ethnic background and diasporic identity as women from the Northeast of Brazil. A closer look at the narrative trajectory of these two main characters shows us that they complement each other in the questioning and reformulation of their female identity. Although in a completely different way, they both defy a stereotyped female identity built upon patriarchal standards and put forth a nomadic identity in which memory, trauma, and gender play a central role. As "conscious pariahs," they are maybe the promise of the "New Brazilian Woman."

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