•  
  •  
 

Abstract

Through socio-cultural analysis and by trac-ing the urban trajectories of patrons who do-nated French modern art to the National-galerie in Berlin during the Wilhelmine era (1882-1909), Johanna Heinen proposes new axes of reflection beyond the ethnic and politi-cal interpretations of allegedly avant-garde support. At the center of this analysis are the districts of Tiergarten—renowned both for its liberal environment and as the cradle of avant-garde trends—and Mitte—the traditional business district at the heart of an economi-cally growing Berlin.

Share

COinS
 

To view the content in your browser, please download Adobe Reader or, alternately,
you may Download the file to your hard drive.

NOTE: The latest versions of Adobe Reader do not support viewing PDF files within Firefox on Mac OS and if you are using a modern (Intel) Mac, there is no official plugin for viewing PDF files within the browser window.